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Sculpture
Bountiful LIC Memorial Carpet
Avestan
Tenacious Vajdahunyad
LIC
Ode to Disappearing Sculpture
Food Art
Delicacies
It Must Have Been
Garden of Delight
Microcosms
Golden Cities
Drawings
2006
2004
2004
2002
Life After Death MFA Installation
Hand Dances
Early Sculptures
Armenia related
Proverb illustrations
Toast making video
Wish Chandelier

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Genatse documents a public performance during my residency at the Armenian Center for Contemporary and Experimental Art in Yerevan, Armenia in June-July 2001, where I videotaped Armenians in Yerevan and Giumri making toasts. I set up a table in the street, played "host" by offering drinks and fruit, and invited passerbys to make a toast to the world.

My aim was to present the toastmaking tradition as a unique oratorical art form, as well as a folk tradition that is passed from generation to generation. Tied into the Caucasian culture of hospitality, toastmaking is connected to rituals surrounding eating and drinking around a table. In its highest form, it is pure improvisation. Its masters adeptly weave elements of politics, history, storytelling, joketelling, philosophy and poetry into eloquent, heartfelt and individualistic expressions that create a powerful intimacy among those seated around the table. At the very least, the toast is an act of goodwill between host and guest; it is an opportunity to express well wishes, gratitude, and personal beliefs.

In the end, the video also functions as a document of how native Armenians reacted to me, an American-Armenian. Many of the toasts were directed towards the Armenian Diaspora, though I clearly asked people to address the entire world. All the toasts, in some way, also referred to the post-Soviet context, with its preponderance of social and economic problems, and the longing for a better life in the future.