The installation begins with a body crushed by a pedestal; a wall label reads "Artist dies in a gallery accident, but continues to produce work." Red tubing leads from the artist's hand to numerous sculptures further in the space, where a sense of chaos reigns: pedestals are overturned and tiny biomorphic forms abound. The highly-crafted organic forms suggest a natural, regenerative force (see "Ongoing Plank of Creation" a red-velvet-covered plank of wood teeming with miniature sculptures) that runs counter to the sense of decay and entropy seen in pieces like the "Downward Spiral of Extinct Art" (a spiral form decorated with slides of older work with labels detailing the circumstances of the "extinction"). Other highlights--"Beyond West Chelsea" (a revolving sphere of nail polish-bedecked lima beans placed in a desert as a model for a public art project); "Art-Making Fantasies" (tiny nail-polish paintings as phony slides of unrealizable art projects: a swing between two skyscrapers or an underwater gallery); and "Please don't step on the artist" (a small replica of my head revolving in the center of a target in the middle of the floor).